With almost too many great examples to choose from, I highly recommend you take a scroll through the book jacket designs of Wang Zhi Hong.
Flavorwire has collected a list of what they deem the ‘20 Most Beautiful Bookstores in the World’.
Fantastically detailed illustration work from Na Zhao.
Logo Design Love has put together a nice little collection of images looking at the evolution of Penguin Books iconic logo.
Take a look here.
Maria Fischer (Graphic Designer based in Munich) has this lovely book project as part of her portfolio.
The book (‘Thoughts on Dreams’), presents a collection of psychological, literary, and scientific commentary on dreams and dream theories.
The format of the book itself creates its own commentary on the structure of dreams, and presents the reader with a variety of coloured threads, which lead them through the book, and vary the narrative depending on which they choose to follow.
Check out more information and pictures, here.
Neil Gower is one of the four illustrators who worked on the Penguin Boys’ Adventure series released at the start of this year (or nearer the end of last year I think).
Very keen on his cover art for The 39 Steps, which I’ve spent about an hour scouring the internet for a high resolution image of. I couldn’t find one, so instead here’s a slightly pixelated version that doesn’t do the image any justice.
See more of his work here.
Mikael Floysand has put together this brilliant and thorough identity, promotional posters & editorial design for the upcoming new Deichmanske Library in Bjørvika, Oslo.
What’s great is the extensive detail Floysand goes into applying his identity to. Makes the project so much tighter to look through.
For a larger description of the project as well as many more photos I strongly suggest you click here.
This amazing animation celebrates 25 years of publishing house 4th Estate.
‘Welcome to our city - to our world - of books. This is where we live.
A film for 4th Estate Publishers’ 25th Anniversary. Produced by Apt Studio and Asylum Films.
The film was produced in stop-motion over 3 weeks in Autumn 2008. Each scene was shot on a home-made dolly by an insane bunch of animators; you can see time-lapse films of each sequence being prepared and shot in our other films.’
Thankfully not the ‘Asylum films’ famous for low-budget knockoffs of current blockbuster hits…