I’ve posted some of Matt Chase’s design work before, and now just encountered his illustration efforts.
See his portfolio HERE

I’ve posted some of Matt Chase’s design work before, and now just encountered his illustration efforts.

See his portfolio HERE

Jorinde Voigt creates these fascinating and complex abstract data visualisations.

Michael Latimer - What Was Once A Monster
Pen, watercolour, spraypaint & acrylic

Michael Latimer - What Was Once A Monster

Pen, watercolour, spraypaint & acrylic

Matt Hallock is the designer behind this great poster for Shakespeare’s Hamlet - ‘meant to graphically portray the character conflict experienced in the story’. It hits the tone of the play brilliantly, with some great use of type along the way.

Take a look at more work here.

Follow his Tumblr here (and thanks Matt for following me, apologies for stalking into your site).

Michael Cina made this pretty killin’ wallpaper to accompany the single Sapphire by Sami Koivikko.
It is now part of the Kitsune Noir wallpaper project where you can also listen to the track. Take a look here.
This is honestly the last piece of Michael Cina work i’m going to post in a while it’s not intentional…

Michael Cina made this pretty killin’ wallpaper to accompany the single Sapphire by Sami Koivikko.

It is now part of the Kitsune Noir wallpaper project where you can also listen to the track. Take a look here.

This is honestly the last piece of Michael Cina work i’m going to post in a while it’s not intentional…


‘Born in  Karachi, India (now Pakistan) in 1937, Mohamedi created a highly  developed language from the 1950s to the 1980s. Early drawings often  suggest plants and trees, before the artist focused on creating  variations around the grid format; later works present free-floating  geometric forms that evoke futuristic, mechanical or architectural  devices.’

Born in Karachi, India (now Pakistan) in 1937, Mohamedi created a highly developed language from the 1950s to the 1980s. Early drawings often suggest plants and trees, before the artist focused on creating variations around the grid format; later works present free-floating geometric forms that evoke futuristic, mechanical or architectural devices.’